SCBWI Victoria 2016 Hijinks!

On Saturday November 12 SCBWI Vic enjoyed a fabulous end of year meeting and wrap party to close what has been a busy, enjoyable and creative SCBWI year.

We began with our usual Show and Tell session celebrating six member successes and new publications. This session is always so inspiring as it often reveals the backgrounds of new publications and the serendiptious and innovative ways some creators bring their work to attention of publishers, the industry etc.

Our first speaker, the lovely and talented Marjory Gardner, revealed how Flexibility (and saying ‘Yes,’) is Key to this industry and to a number of her successes and experiences, such as flying around the Pilbara and judging competitions. ‘Often when you say yes to one thing it serediptiously leads on to other things.’

Marjory shared her journey over thirty years from her beginning illustrating educational readers to trade publications, using her love of pattern and colour and filling up the page. The same principles she uses in her gorgeous, colourful illustrations today.

Ann James, beloved narrative artist of over 60 books including Little Humpty, Lucy Goosey and The Way I Love You, showed us how Illustration is a Catalyst to Story. For Ann collecting and DIY is very important. She was encouraged as a child to play, build and make. Poor eyesight as a child led her to really look at things. Ann seeks inspiration in other illustrator’s work too, rendering beautiful images that really show colours, textures and shapes. Ann shared some of her process and the wonderful, varied experiences that art has brought to her life and work. Her tactile way of working generates ideas, including through illustrating and creating clay characters.

Of course next, we indulged in our usual delicious afternoon tea and all important tete-a-tete, networking chat time, catching-up with friends and meeting some new ones among our constantly growing membership.

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We were then privileged to hear from charming and entertaining artist, Leigh Hobbs, our current Australian Children’s Laureate, who revealed ‘everything to do with my work is to do with character.’ He also shared the secret to Old Tom’s origins, not the version he tells kids. An ex-secondary school teacher, Leigh said that teaching has provided him with a lifetime of ideas. He doesn’t write for kids but for himself. He believes in kid’s logic.

Leigh kept us laughing with his humorous anecdotes, his delightful, self-effacing, manner and sincere honesty regarding his process and love of combining art with literature. I loved his closing sentence, ‘In your heart, those special kids/moments are what keep you going.’

We rounded off a fantastic afternoon and year by adjourning to Father’s Office Speakeasy Bar & Restaurant for Christmas drinks and more network chat and socialising. (Plus some yummy finger food. Thanks, Caz Goodwin.)

Happy Christmas, All. See you next year.

Report by Chris Bell From Hook to Book

 

SketchLook November 2016

SketchLook is an ongoing feature of the SCBWI Blog. It is a glimpse into the working process of artists, how we experiment, think through our ideas, stretch our imagination and observe the world. This is a glimpse at current work in progress, free doodles, rough drawings, and sketches from life. CLICK HERE to participate in SketchLook.
 

 

Take a peek at the working drawings and sketchbooks of some of our members:


Marjory Gardner — Every year I illustrate my own Christmas card for family, friends and to send to clients. It's always a good reminder of my style, and a thank you for commissions received. The rough design is sketched in pencil on tracing paper, refined till I'm happy, then transferred onto Schoellershammer paper using a lightbox. Colour is applied in two stages: copic markers, then Prismacolor pencils. It's painstaking, but results in a richness of colour and texture I like. Finally, I apply an outline with a 000 brush and black ink. I use the same technique for picture book illustrations. Merry Christmas!


Gwynneth Jones — This work in progress is a commission for a birthday gift, using prismacolour pencils on Stonehenge paper. These animals have all been real pets of the girl in the picture, except the panda :)


A call-out for the next selection will be sent out in good time but members of SCBWI Australia East & New Zealand are invited to submit images at any time. Work should be scans or snapshots of sketchbook pages featuring sketches, drawings from life or working drawings. Up to five images, Jpeg format, 72 dpi, 750px width maximum. Kindly avoid overlaying text on images and other digital manipulation. CLICK HERE to submit images for SketchLook.

SCWBI Success Story - Lucinda Gifford

The SCBWI conference 2014 kickstarted my illustration and writing career. I’d been pottering on the fringes for a while and had decided to set myself a proper goal: enter my folio for the Portfolio Showcase. I also sent my folio off for the Inaugural Five Mile Press Illustrator Prize. Then my family and I went to Scotland for a few weeks…

Back from holiday, I found my folio returned with a sheet of encouraging comments from various publishers. This gave me the courage to get in touch with a few of the names on the list. I flew up to Sydney to meet with some lovely publishing teams, and realised they were dedicated, warm professionals that I could happily work with.

And then I found my folio had been shortlisted for the Five Mile Press Illustrator Prize!

So my professional life completely changed in mid-2014 – it was a total whirlwind. I won the Five Mile Press Prize, and gained several clients soon after. Suddenly, I was illustrating wonderful projects for Scholastic, Lothian Hachette and Omnibus Books, along with two of my own picture book projects.

Right now, I’m doing the inky drawings for James Roy’s funny and gentle ‘Chook Doolan’ series published by Walker Books. Things have settled down a little now (they had to!) and this is where I’m particularly grateful to SCBWI for support, friendship, structure and helping keep my feet on the ground. It’s lovely to be able to write and draw all day, but it can also be isolating. The SCBWI meetings are energising and helpful. And now I know loads of like-minded souls to catch up with for a cuppa when it all gets a bit much.